Well, SMU Homecoming 2009 was a big, fat blast. Even without Pigskin Revue, the school with most spirit I've ever seen hit a grand slam with Homecoming festivities, as usual. More of a write-up to come, but it. was. awesome. I love seeing my dad in his element, with my mom, my brother and I behind him. Not to mention SMU won the game, which means we could be up for a bowl game for the first in, well, an embarassingly-long time. Either way, I feel blessed to be a part of the SMU, and more specifically the Mustang Band, family.
Now I'm spending my Sunday in extreme relaxation, the kind that usually makes me feel guilty. Alas, not today. Bills are paid, groceries are bought and while we have alot to get done between now and the holidays (organizing the library, painting, getting the dogs fixed, decorating for Christmas, etc), I'm attempting to enjoy zoning out.
I'm also making an important decision about the performing part of my life. And it comes, believe it or not, from a happy place. I'm singing live professionally in Dallas, something I've been working toward doing for a long time. I'm on my way to Actor's Union membership, another goal that has risen to the top of the list.
In light of this and a couple less pleasant things, I was faced with the harsh reality recently that I've been putting way too much focus on "belonging" with a group of people I always thought of as friends, in a town where I always thought I had a theatre home. The town still holds sentimental value for me; I met my husband there, as well as made a few friends I will have for the rest of my life. I've also played some great roles, which I'm thankful for. But it will never be my theatre home, and the more I think about it, the more it shouldn't be.
I've learned about friendships of convenience, of the penetrable forces of politics and gossip in a town like this one. Most poignantly, I learned the power of a very simple disadvantage: location, location, location. It's hard to defend oneself in absentia, and since I don't live there I always end up on the defensive, after the locals have had a chance to bitch and moan and gossip and rant. People I though to be friends pass me by for a hug; reception is cool at best; I stop getting even the most casual of invitations, out comes the cold shoulder. And it's pretty damn amazing how someone can be self-servingly, backstabbingly in the wrong and still end up the town hero. It's all in the timing, as I've learned.
But what I really had to ask myself is this: Why do I care so much? Why do I care what they think? Why do I care about getting cast?
The answer to each, I found out, was simple:
I don't know.
There is an exception. A big one. Thankfully, probably the most valuable thing I've taken from there (aside from meeting my husband) is my friendship with a local actor-turned playwright I met during West Side Story more than 5 years ago. I love him dearly. His theatre company has been in business for a few years but really started to take off last fall. I starred in one of his groundbreaking productions that landed him an indepth interview and me a cover photo in the local newspaper. Yet I was amazed at two contrasting forces: how little attention and support the company and production (not to mention my friend and us as a cast) received from other local theatre groups at the time; AND within a year, the procedural ass-kissing by previously-uninterested parties now wanting a piece of the proverbial pie.
::sigh::
In some ways, it's great. Hey, he's getting press, that is GREAT. I'm so proud of him and the attention his theatre company is receiving. He deserves it- well, he deserved it a year ago and the year before that, too. And I hope it continues and that I can be a part of it. I couldn't be a part of his production (of his own work no less) this fall due to doctor's orders for vocal rest, and even in that I feel as though I've lost friends. Another round of the cold shoulder, and quite honestly, with all parties, involved I shouldn't be surprised.
In "happier" times, I was asked to be a part of the company's leadership team. I can only hope I can retain at least this. I want him to succeed, and anything I can do to make that happen, I will do. For me, it's not a matter of convenience, or personal promotion or gain.
Aside from this situation, I think I've reach the end of the line. I'm not long for community theatre, not here. Very few have been able to maintain a consistent, well-received cross-over of community theatre there and professional theatre elsewhere. Not without a supreme amount of politics, boot-licking, and climbing over the bodies of others, none of which I'm prepared to do.
I think I made my decision a long time ago. Around the same time I realized, when it comes to "friends", I'm more of a three-strike person than a fool-me-twice person (call it a compromise between being a doormat and a frigid bitch, but I'm kicking myself now). And three strikes they were indeed; no amount of sugar on top can turn some things into good deeds. I've had my fill of losing friends to lies and manipulation, though I'm sure I'm not yet done dealing with the repercussions.
But the decision is made. And it's the right one.